The late Mel Torme´said, “Since the advent of Benny Goodman, there have been too few clarinetists to fill the void that Goodman left. Ken Peplowski is most certainly one of those few. The man is magic.” The New York Times pronounced a concert of Ken’s “Goodman Straight Up, With A Twist Of Lightning.” These quotes only hint at Ken Peplowski’s virtuosity – not only is he an outstanding clarinetist and saxophone player, but he’s also a charismatic entertainer who has been delighting audiences for over 30 years with his warmth, wit, and musicianship.
“When you grow up in Cleveland, Ohio, playing in a Polish polka band, you learn to think fast on your feet”, says Peplowski, who played his first pro engagement when he was still in elementary school. “From my first time performing in public, I knew I wanted to play music for a living.”
Ken, and his trumpet-playing brother Ted, made many local radio and TV appearances and played for Polish dances and weddings virtually every weekend all through high-school. “That’s where I learned to improvise, ‘fake’ songs, learn about chord changes, etc.- it’s exactly like learning to swim by being thrown into the water!”
By the time Ken was in his early teens, he was experimenting with jazz by playing in the school “stage” bands, and also by jamming with many of the local jazz musicians. “By the time I hit high school, I was teaching at the local music store, playing in our family band, and playing jazz gigs around town while still getting up early every day for school.”
After a year of college, Ken joined the Tommy Dorsey Orchestra under the direction of Buddy Morrow. “Buddy heard me with my quartet at a Cleveland jazz festival along with Teddy Wilson’s trio and the Dorsey band, and made an offer right then and there for me to not only play lead alto, but to have a feature spot on the clarinet with the rhythm section. It was a great ‘road-school’ – we learned the discipline that goes with playing one-nighters every day for 48 weeks out of the year, and Buddy was a great, very generous bandleader.”
Peplowski met Sonny Stitt while on the road with the Dorsey band, and studied with him. “He was, and is, an inspiration to all of of us who make a living ‘on the road’ – I’ve never heard anybody play with such amazing consistency as Sonny, through all kinds of settings.”
In 1980, Ken moved to New York City,and was soon playing in all kinds of settings, from Dixieland to avant-garde jazz. “Everything’s a learning experience in jazz music – there’s always an element of the unpredictable.” In 1984, Benny Goodman came out of retirement and put together a new band, hiring Ken on tenor saxophone. “I think Benny was as great a figure to the clarinet as Louis Armstrong was to the trumpet. He was an extremely tough band leader, but he was as demanding on himself as he was on us – if you showed him respect and were there to play his music for him, he respected you back, and I have yet to work with anyone else that could get such great results out of a band. Part of the key to unlocking the enigma of Benny was that he thought about music pretty much 24 hours a day, and sometimes that was to the exclusion of personal relationships. I liked him a lot, though, and he actually tried to get me signed to a record deal (with him as producer!) before I’d signed with anyone else.”
Peplowski wound up signing with Concord Records, under the tutelage of Carl Jefferson, the founder and president, and recorded close to 20 albums as a leader, including “The Natural Touch” in 1992 which won Best Jazz Record of the Year by the Prises Deutschen Schallplatten Kritiken, and “The Other Portrait”, recorded in Sophia Bulgaria with the symphony orchestra and highlighting Ken’s classical side. His last two records were “Lost In The Stars” and “Easy To Remember” (on Nagel Heyer Records), the latter of which features Bobby Short on his last recording. “I loved Bobby Short’s approach to the American songbook, and we’d talked about doing a record together for a while – I’m glad we got this one ‘in the can.’
“What’s in the future? “Who knows? I love all kinds of music, andI’d like to find more oppurtunities to bridge the gaps between different musical styles – I consider myself an interpreter of material – if something interests me, I try to put my own spin on it, without thinking or worrying about playing in any particular style. Basically, I like a challenge, I’m a sucker for a good melody, and I love playing for audiences, big or small.”
And he has certainly achieved these goals, be it in small clubs, the Hollywood Bowl (where he played a sold-out concert), headlining in Las Vegas, the Newport Jazz Festival, pops concerts, European festivals´ clubs, or at home in NYC doing everything from playing on the soundtracks to Woody Allen movies, to taking on the role of music director for interactive French and Italian cookbooks (“Menus And Music”).
The litany of musicians Ken has collaborated with includes: Mel Torme, Leon Redbone, Charlie Byrd, Peggy Lee, George Shearing, Madonna,Hank Jones, Dave Frishberg, Rosemary Clooney, Tom Harrell, James Moody, Cedar Walton, Houston Person, Steve Allen Woody Allen, & Erich Kunzel. (“Although not necessarily in that order,” says Ken).
Peplowski also does many workshops for students of all ages- “My goal is to get the students to learn how to teach themselves, and to learn how to bring out their own best qualities; after all, jazz is about individuality-first you learn the rules, then you break them. I would like to think that I never stop learning, myself!”
To quote the Jazz Journal International, “Ken Peplowski is one of those fine young Americans who are currently setting so much of the pace in all that’s good in jazz.”
Ken Peplowski is a Buffet-Crampon artist, and plays the R-13 clarinet,with a Portnoy mouthpiece and Van Doren German-cut reeds. He also plays a Yamaha tenor sax and a Berg Larsen mouthpiece.
“Ken’s next CD will be a ballad record on tenor sax and clarinet for Venus Records, and is coming out soon.Ken’s new releases include “Memories Of You” on Venus Records, and 2 upcoming releases “Little Dogs” with Greg Cohen and a 2-CD set on Venus Records.
He is receiving a lifetime acheivement award at the Elkhart Jazz Festival and is musical director for “The Jazz Cruise”, the Oregon Festival of American Music, and the Eugene Oregon Jazz Festival.
ROSSANO SPORTIELLO
Award-winning jazz pianist Rossano Sportiello was born in Vigevano, Italy on 1 June 1974. He began studying the piano at the age of 9 under the tutelage of Italian classical pianist Carlo Villa and continued until his graduation in classical piano from the Conservatory in 1996. By the age of 16, Rossano was performing professionally at jazz venues in the Milan area. In 1992, he joined one of Europe’s historic jazz bands, the “Milano Jazz Gang” touring with the group throughout Italy and West Europe until the end of 2000. In the same year, Rossano met legendary jazz pianist and educator, Barry Harris, who became a mentor and good friend. Mr. Harris has touted Rossano as “the best stride piano player” he has ever heard and on several occasions has invited Rossano to perform during his own performances.
Stylistically, although international critics consider Rossano a follower of Ralph Sutton, Dave McKenna and Barry Harris, the influence of other great masters can be heard in his playing, such as Fats Waller, Teddy Wilson, Art Tatum, Count Basie, Earl Hines, Ellis Larkins and Bill Evans, to name a few. Rossano was introduced as a soloist by trombonist/arranger Dan Barrett and drew international acclaim at the 2002 Ascona Jazz Festival (Switzerland) while performing with the eight-piece, all-star American band led by Barrett, which was enthusiastically received by the audience and critics alike. Rossano has performed several times at Ascona since and standing ovations after his performances are not uncommon. In July, at the 25th anniversary of the festival, Rossano received the 2009 Ascona Jazz Award in recognition of his expertise and mastery of jazz piano, in particular stride piano. Rossano made his first trip to the U.S. and was introduced to the American audience at the invitation of Mat Domber (Arbors Records) to perform at the 2003 “March of Jazz” party in Clearwater Beach, Florida. Following his marriage to American writer, Lala Moore, in 2007, Rossano established himself in New York City.
Rossano has performed with the world’s finest jazz luminaries, such as Slide Hampton, Clark Terry, Barry Harris, Dan Barrett, Kenny Davern, Bucky Pizzarelli, Bob Wilber, Warren Vache, Bob Cranshaw, Mickey Roker, Harry Allen, Howard Alden, Joe Wilder, Eddie Locke, Joe La Barbera, Scott Hamilton, Jake Hanna, Houston Person, Bill Charlap, Dick Hyman and many others. In recent years Rossano has been in great demand in the United States appearing at New York venues such as the 92nd Street Y, Town Hall, the United Nations and Shanghai Jazz in New Jersey, as well as at the main jazz parties and festivals, including The San Diego Jazz Party, Chautauqua Jazz Festival, North Carolina Jazz Party, Rochester Jazz Festival, Odessa Jazz Party, Newport Beach Jazz Party, Arbors Records Invitational Jazz Piano Party, Rocky Mountains Jazz Party and the Roswell Jazz Festival. Internationally, Rossano has performed regularly at the Blackpool Swinging Jazz Party, Norwich Jazz Party, Nairn International Jazz Festival, Edinburgh Jazz Festival, Spoleto Piano Festival and Lucerne Piano Festival and at acclaimed venues such as the Philarmonie (Luxembourg), Teatro Alla Scala (Milan), Marians Jazz Room (Switzerland), Lionel Hampton Jazz Club (Paris), Blue Note (Milan ), Printzregentertheatre (Munchen-Germany) and Schloss Elmau (Germany), to name a few. Since 2008, Rossano has performed regularly with the Harry Allen Quartet. On 4 May 2011, in his home town of Vigevano, Italy, Rossano received the prestigious Vittorio Ramella award, which is bestowed upon native persons of Vigevano who through their profession have made a significant contribution to the world and distinguished themselves in the international community.
Rossano has recorded four solo piano CDs, including In the Dark (2004, Sackville); Piano On My Mind (2005, Jazz Connaisseur), which won the “Prix Du Jazz Classique de l’Académie du Jazz de France”; Heart and Soul (2006, Arbors Records), selected by the French magazine Jazz Classique among the top 10 of the year; and most recently, It Amazes Me (2009, Sackville). Rossano recorded two duet CDs with bassist/singer Nicki Parrott on Arbors Records, Do It Again (2009) and People Will Say We’re In Love (2007), which was selected by The New Yorker magazine as one of the top 10 jazz CDs of 2007. Rossano also has three jazz CDs featuring classical music, Chopin in Jazz (2010, SwingBros), Schubert in Jazz (2011, SwingBros) and Listz in Jazz (SwingBros)
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